Dante: Philosophy, Theology and Science
Preface (János Kelemen) 
Massimo Verdicchio: Aristotle in the Convivio and in the Commedia
Gábor Borbély: United with the Soul, Separated from the Organs: Dante and Aquinas (Purgatorio Canto XXV, 61–66)
József Pál: “The Most Secret Chamber of the Heart” (Secretissima camera de lo cuore) Poetry and Theology in the State-changing Cantos of the Commedia
Gyula Klima: When Hell Freezes Over: Science and Theology in Dante’s Inferno
Éva Vígh: The Three Beasts. Animal Symbolism and its Sources in the Comedy
Eszter Draskóczy: Diseases in the Counterfeiters’ Bolgia of Dante’s Inferno. Dante’s Literary Sources, Contemporary Medical Knowledge and Theological Symbolism
Márton Kaposi: Visions of the Secular State and of the Earthly Paradise in Dante’s Perspective
János Kelemen: A Semiotics of Prohibition. Boundaries and Exclusion in the Divine Comedy
József Nagy: Lectura Dantis: Canto XII and Canto XVII of the Inferno
Béla Hoffmann: Canto XIX of the Inferno
Norbert Mátyus: Oracles and Exegetes in the Comedy
Zsuzsanna Tóth-Izsó: Human and Divine Time in the Comedy as Viewed by Psychosynthesis
Márk Berényi: The Ethical Aspects of the Concept of ‘amore’ in Dante’s Œuvre
Kornélia Horváth: On Imaginative Activity in Dante’s Vita Nuova
REVIEW
József Nagy – Massimo Seriacopi: Dante Alighieri: Comedy I. Inferno. Commentary
Contributors
Summaries